Don Giovanni
Réalisateur
- Joseph Losey (Réalisateur)
Thèmes
OpéraCommentaires récents
Commentaire
ajouté par
Rowan
2014-12-04T18:19:29+01:00
Pas apprécié
Je n'ai rien contre les films et les opéras longs, mais là, les scènes s'étirent sur une dizaine de minutes à chaque fois sans apporter grand-chose à l'intrigue. Résultat, beaucoup d'ennui. J'ai bien aimé la chanson de Leporello du début et la fin. Sinon, je trouve que le film manque de prises de risques, et le personnage de Don Giovanni n'est pas assez imposant.
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Les chiffres
| spectateurs | 9 |
| Commentaires | 1 |
| répliques | 0 |
| Evaluations | 1 |
| Note globale | 4 / 10 |
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Synopsis
After an unsuccessful attempt to seduce Donna Anna (soprano Edda Moser), Don Giovanni (baritone Ruggero Raimondi) kills her father Il Commendatore (bass John Macurdy). The next morning, Giovanni meets Donna Elvira (soprano Kiri Te Kanawa), a woman he previously seduced and abandoned. Later, Giovanni happens upon the preparations for a peasant wedding and tries to seduce the bride-to-be Zerlina (mezzo-soprano Teresa Berganza), but his ambition is frustrated by Donna Elvira.
Donna Anna soon realizes that Giovanni killed her father, and she pursues the seducer along with her fiance Don Ottavio (tenor Kenneth Riegel). Ever ready to attempt a seduction, Giovanni woos Elvira's maid. As part of his plans, he switches clothes with his servant Leporello (bass-baritone José van Dam), who rapidly finds himself in trouble with people who mistake him for his master. Leporello flees and eventually meets Giovanni at the cemetery where Il Commendatore is buried. They jokingly invite the statue at his grave to dinner. While they are dining, the supernaturally animated statue arrives, and the horrified Giovanni is drawn into an open-pit fire.
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